5 impressive fashion trends Autumn-Winter 2011

Do not miss the opportunity to explore five trends most strongly influenced style with interesting suggestions in the following article. 

When the fashion week just ended it is time that religious believers began to discuss fashion trends of fall 2011. Even costume trends Spring Summer 2011 can not even keep up their presence this time we know what kind of costumes and accessories that will be favorites in this 2011 Fall East. So, do not miss the opportunity to explore five trends most strongly influenced style with interesting suggestions in the following article. 

1. High cut costumes 

The fashion designer of Gucci and Oscar de la Renta does not seem to cool air of autumn ruin his style. From the small horizontal cut in the chest to ribbons to reveal bare feet, it looks like costumes show off the beauty of your skin will be the favorite product in this 2011 Thu. 

Road to full lap in the evening dress pattern appears frequently in the collection of Cynthia Rowley and Jason Wu.The cut dress with a simple line at the foot is the classic costumes and impressive in fall 2011. Combining form with a dress cut so dress a little "conservative", you will not be too daring. Just when you transport the outfit to open the chest, arms, back and legs, the new trend tends to turn into skimpy, and lack of aesthetics. 

But you can also choose a shirt with lines cut in the thorax, as in the collections of Michael Kors Collection 2011, as long as you combine it with a simple black dress extends to the calf.Whether you choose the clothes for fall deep cut or the costumes as the Altuzarra, remember that you need to leave a little mystery to it yourself. With this trend of fall 2011, you will have the opportunity to show off feminine body shape that does not create the false impression of yourself. 

Chanel Iman to wear Gucci 

Jason Wu và Michael Kors

2. Bi sublimation patterns dots 

A major trend of fall 2011 appearance on the catwalk that dot ball. Like the outfit split, this is the pattern you normally see in a Spring or Summer collection. Ttat both talented designers like Stella McCartney, Marni, and most notably as Marc Jacobs are the ones who follow this trend to make a collection Collection 2011. The circle and dot ball is often considered for young and flashy, but with the collection, this kind of pattern seems to have matured. 

From population to sample dress and hugging jackets, Marc Jacobs has used this type of circular patterns, bringing it to reach the elegant luxury. But not all people think that bi dot pattern is a culmination of Jacobs. Hamish Bowles, the Journal reported Vouge Europe, described by Jacobs collection is "though the costumes will make you fall prey to a mistake of a disease epidemic fashion". Perhaps the designer can not satisfy everyone is. 

Marc Jacobs and Stella McCartney 

In addition to the collection of dot balls Jacobs, 2011 Thu fashion also has features vaguely trend patterns of the 40s and 50. From the costumes appeared on the catwalk Thu, does not seem to have a dress that is "right" or "wrong" with this fun pattern. But everyone knows that the costume online can always reduce to match the daily fashion and style of Fall 2011. 

You can bring style to everyday wear by surface sampling round patterned shorts or a dress form with new patterns of fall. Do not think you can not wear shorts or skirts in the fall!Simply combining shorts or a skirt with leggings and a nice shirt is oversized cardigan. You can choose the ball dress dotted with simple colors like white and black, can be combined to form a skirt and high heels to the office. To go out of date or that special occasion, please choose a dress form a circular pattern. If you want to reduce their prominence, you wore a cardigan jacket with contrast color.She wants to create a more sophisticated style, choose a sweater or blazer to be dark, to get you comfortable in the fall of 2011. 

Paul Smith 

Diane von Furstenberg 

3. The strong return of fur clothing 

Although still controversial, but the timeless beauty of fur appeared very much on the catwalk during Fashion Week recently. With everything from hats, belts, sleeves, fashion designers seem to be "rebels" with their use of fur in their collections. Fur with different colors range pieces catwalk.Ricci's purple, pink Christian Dior, Prada and green are just few of the brilliant colors appeared in last season. Fur trend also brings sophisticated color choices like black, ivory and brown tones and colors of natural sunlight, which appears in the collection of big names like Ralph Lauren, Carolina Herrera and Dries van Noten . 

Miu Miu has released a hip outfit with fur, while Ralph Lauren to put fur on the sleeves. If you select the style fake fur costumes, now select the accessories for comfortable and easy to combine. A number of fake fur can be a bit hard, not soft and comfortable as real fur. 

What kind of coat colors and patterns will naturally bring classic and elegant, so you can use them to wear during the day or to attend a dinner party or special occasion with friends. Versions colorful, playful fur Thu trend of 2011 is the safe option for you to go out with her friends or attend parties.But you should not be overused trend. Combine with fur costume with a simple accessory that, but neck scarves or fur wrap simple. You can combine with a detailed boots with fur or clutch. 

Ralph Lauren 

Christian Dior and Prada 

Carolina Herrera and Dries van Noten 

Miu Miu 

4. Sexy lace outfit 

Type of material which could be more attractive and luxurious lace? The designer of the famous brands like Chanel, Louis Vuitton and Proenza Schouler made lace materials in the collection of their 2011 Collection. From style to lace Bobbin lace macrame, not a style or type of lace that was "discrimination" at all. Balenciaga has focused on patterns lace dress with hot pink lining. The thickness and the spread between the lace gives slightly modernized for this material of him. Lace design is sure to stand out in the fall of 2011 for the 70 Spring trends remain very strong, with wide knit dress. 

Not once do the loyal fans of disappointing fashion, Chanel has brought charm to the translucent material with lace jumper dress. Sophisticated style of dress to wear a vintage and elegant look. 2011 Fashion Collection is sure to dress range pieces of knitted lace and elegant style, reflecting the romantic look of a woman. Chloe brings the lace dress with long borders, while the Christian Dior style dim choose to dress in matte black lace! 

Balenciaga and Chanel 

Louis Vuitton 

Proenza Schouler 

Proenza Schouler

5. Thick, glossy and hard 

Split sample gown and jacket had a soft draw in the fall. This year, fashion designers seem to want to keep their customers from cold winds. 

Thick material has appeared on the catwalk of the Yves Saint Laurent and Stella McCartney, which tend to "armor" to be a trend of fall fun 2011. Balenciaga has been selected for their style of dress with thick material, heavy as leather woven together to form jackets and scarves. Maybe this is not a comfortable outfit, but you will definitely feel it's interesting to watch. Stella McCartney brings costumes thick, glossy yellow, and looks pretty attractive if a bit more ease. Both Emanuel Ungaro and Louis Vuitton are using hard leather jacket to create quite the underground tanks. 

Yves Saint Laurent 

Stella McCartney and Balenciaga 

Louis Vuitton 

Emanuel Ungaro and Alberta Ferretti

Lady Killers

The fall 2011 collections ignited a return to decidedly chic, feminine dressing. But as Anne Slowey reports, there’s nothing fussy or frilly about the season’s sophisticated ladies

There was a moment at the Thierry Mugler show, just as Lady Gaga took the stage smoking a cigarette, when the entire season seemed to splinter into two starkly different halves: grandstanding showmanship ver­sus grandly elegant clothes. Onstage, the audience was treated to a stylist and a pop sensation’s purview of fashion—for them, a universe where looking interesting and avant requires extreme measures. Which stood in contrast to what we saw elsewhere, which was, to put it simply, everything that is right with fashion at the moment: the beauty and simplicity of elegance, done in a way that women can readily interpret.

Gaga’s fashion director, Nicola Formichetti, is the newly appointed creative director of Mugler, and he was determined to bring a little fantasy back to the catwalk with his first women’s wear show for the brand. But for all the buildup, the actual sight of Gaga on the runway in Formichetti’s creations—primarily bodysuits with sheer paneling and exaggerated shoulders—was a bit of a letdown. I mean, where were the clothes? It just reminds us how different “real” women and celebrities are when it comes to their relationship to fashion. Stars use it to build an image; the rest of us look for clothes that connect with some inner part of ourselves—we need self-expression, not a fan base.

In the end, Gaga at Mugler proved just an amuse-bouche in a season that would come to feel like a scene from The Tempest. Later in the week, Christophe Decarnin was a no-show at Balmain; he left the company because of “work differences” (widely speculated to be stress-related issues). John Galliano, as we all know now, had just brought his career to an end with a bigoted, drunken rant. His highly publicized fall from grace stunned the industry; editors played snippets of the now infamous YouTube exposé on their iPads in the front row. Dior CEO Sidney Toledano publicly and elegantly spoke of the difficult affair before the company’s subdued runway show in a tent at the gardens at Musée Rodin. The wrenching awkwardness gave way to heartfelt appreciation at the finale, when the entire atelier of “mains” (i.e., the skilled hands who create the clothes) was invited onstage to take a bow normally reserved for the theatrical Galliano. A few days later, at Galliano’s self-titled collection (in fashion, the show must go on, apparently) beautifully draped plaid silk jackets and elaborately embroidered robe dresses made the fall of one of fashion’s greatest showmen seem all the more senseless. The designer, said to have been struggling with addiction for some time, quickly offered a public apology and is rumored to have decamped to rehab.

Needless to say, the vacuum at Dior sparked endless speculation: Who would be Galliano’s replacement? That announcement might not be made until the fall. Ric­cardo Tisci of Givenchy is the most widely talked-about front-runner, although it is hard to imagine the house of Dior finding its full measure of elegance in the hands of someone whose dominant tropes are Catholicism and gothic themes. Certainly, other designers who haven’t worked in couture but who understand the complexities of running a giant company, such as Marc Jacobs, must be in the running as well. Haider Ackermann was also favored by those insiders who have always appreciated his moody, soulful sophistication—conjecture that was buoyed by one of his best shows to date. Ackermann’s low-slung silhouettes, exquisitely wrought in draped teal and plum silks, had an edgy, yet painterly, appeal. Dior, a house originally known for reshaping the body in excesses of fabric, could find a wellspring of ideas in someone so like-minded.

But for all of the industry’s current unease, even high-octane drama couldn’t overshadow the beauty of the clothes themselves. Once again, this season, American designers held their own against their European counterparts. Jack McCollough and Lazaro Hernandez of Proenza Schouler continued to shine, for fall exploring computerized jacquard prints in a renewed take on American Indian blankets and macramé skirts. Kate and Laura Mulleavy of Rodarte also used computers to reframe Americana, casting photorealistic images of wheat fields reminiscent of Willa Cather’s My Ántoniaacross their prairie dresses. Michael Kors celebrated 30 years in the business by rocking out to his own greatest hits: ’70s-inspired halters and slim trousers in jersey. And many relative newcomers—such as Prabal Gurung and Joseph Altuzarra—followed suit, offering their own strong visions of the season’s return to elegance. Shapes were softer and less strict, though still exuberant. In New York, as well as Paris and Milan, the patrician, razor-sharp edges that have dominated the last few seasons gave way to softer shoulders and longer below-the-knee lengths that at times had a retro quality—whether it was ’90s grunge (Richard Chai Love); Depression-era prints (Louis Vuitton) and shirtdresses (Jason Wu); or postwar ’40s padded shoulders (Miu Miu). Other, more jocular details from each of those eras—puffers, parkas, metallics, feathers, bugle beads—made appearances, too. Even the LBD (Ralph Lauren, Giorgio Armani) reemerged on both sides of the Atlantic.

The menswear moment is still holding steady, with stiff, mannish coats at Jason Wu and Céline, plus dusters, cutaways, and oversize boyfriend sweaters worn over flowing skirts and pin-straight pants elsewhere. Another ’90s staple, the perfecto motorcycle jacket, is back, with variations seen at Junya Watanabe and Marni. And fur sleeves (Peter Som) along with sleeve-and-collar combos (Burberry Prorsum) seem to be a common answer to the question of how to handle fur—back, this season—in a modern, relatively price-conscious fashion.

Come fall, pants, while still a major trend, will have some competition in the form of skirts. These came in every iteration from peplums to kick pleats; many, like those at Louis Vuitton and Givenchy, have sheer linings playing peek-a-boo beneath their hemlines. Delicate chiffon layering at Narciso Rodriguez and Gucci was a big statement, reminding one of how elegant seductive dressing can be in the right hands. But for all its refinement, the season was not without its novelties. On the lighter side, dots and paillettes offered playful counterpoints to hourglass shapes in lace at Marc Jacobs and simplified silhouettes at Stella McCartney. Meanwhile, Rick Owens and Giambattista Valli played on more monastic notions of outerwear with cropped and full-length capes. Elsewhere, long panels flowed off the backs of coats, conjuring a mood of ancient nobility. And speaking of medieval, in her fourth women’s collection, Sarah Burton has stepped fully into the shoes of Alexander McQueen, with a mouthwatering collection that had the audience all a-Twitter (literally) about whether one of her feathered-fur or frayed-organza gowns would make its way down the abbey aisle April 29 on Kate Middleton.

Perhaps one of the most exciting trends this season was a return to classic couture shapes of the late ’50s and ’60s. Junya Watanabe showed finely crafted leather jackets over full skirts, while at Jil Sander, Raf Simons mined the cocoonlike shapes of Cristobal Balenciaga in a lineup of voluminous padded dresses and coats, hooded ski sweaters and cigarette-slim stirrup pants. Meanwhile, at Balenciaga, Nicolas Ghesquière reworked the skirt and oversize fishnet lacing to create a new, relaxed silhouette that was one part schoolgirl, three parts bourgeoisie. He finished off the effect with Pierre Hardy’s rococo-detail shoes and bags, which looked as if they could have been unearthed in the models’ grandmothers’ closets, somewhere on Avenue Foch. The result was a phenomenal group of simple shapes that had a youthful spirit, perfect for any woman in search of easy clothes that will make her look good without standing out. In my book, that’s the epitome of chic

Authorship : By ANNE SLOWEY